Tokina at-x 24-70mm F/28 Pro Fx Lens for Canon Ef Review

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review product images (6 of 6)ISO 4001-105 sec at f - 1.4

"Human, this lens is and then sharp that holding it made me cut myself. And and then I bled out onto the curb in Downtown Brooklyn and I needed to get to the hospital. And so the cop who picked up the lens afterward was too cut. The cut; it just didn't terminate considering the lens was simply so sharp."

That'southward basically a conversation that I had with former Phoblographer staffer now TechRadar Laptop Editor Kevin Lee Dominicus as nosotros strolled around Brooklyn at 10AM. But seriously, the Tokina AT-X 24-70mm f2.8 Pro FX lens is highly capable of rendering incredibly sharp images and overall bang-up color. But information technology also manages to have its ain unique personality to its that doesn't make the output await like anything Zeiss or Sigma releases.

Plus, information technology does it all for nether $i,000.

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (8 of 12)ISO 1001-500 sec at f - 4.0

Pros and Cons

Pros

  • Very abrupt image quality; it'southward deceiving how sharp this lens is.
  • Nice feel overall despite an antiqued exterior design
  • 24mm is when the lens is its shortest and 70mm is when it'south the longest. This isn't backwards the way it is with other 24-70mm offerings.
  • Great colour
  • Pretty squeamish bokeh

Cons

  • Autofocusing motor sounds like the brakes of a 10 year old Toyota Camry that have been mode besides abused and barely maintained.

Gear Used

The Tokina 24-70mm f2.8 was tested with the Catechism 6D, the Interfit S1, and the Adorama Flashpoint Zoom Li-On flash.

Tech Specs

Tech specs on the taken taken from the B&H Photograph list for $999.

Functioning
Focal Length 24 – 70mm
Comparable 35mm Equivalent on APS-C Format Focal Length: 38.4 – 112 mm
Aperture Maximum: f/2.viii
Minimum: f/22
Photographic camera Mountain Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Angle of View 84° twenty′ – 34° 49′
Minimum Focus Distance 1.25′ (38 cm)
Maximum Reproduction Ratio 1:iv.73
Elements/Groups xv/xi
Diaphragm Blades 9
Features
Autofocus Yes
Physical
Filter Thread 82 mm
Dimensions (DxL) Approx. iii.53 10 4.23″ (89.6 10 107.5 mm)
Weight 2.20 lb (ane kg)
Packaging Info
Package Weight 3.15 lb
Box Dimensions (LxWxH) 7.5 x 6.3 x 6.i″

Ergonomics

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review product images (4 of 6)ISO 4001-70 sec at f - 1.4

The Tokina 24-70mm f2.8 is a fairly recent release, only in some ways it doesn't really await the part. The front of the lens is characterized by a massive front element that requires an 82mm filter thread to protect it if y'all're putting said filter on it. Then there is also the lens hood, which as a nice suede interior that's very pleasant to run your fingers along.

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review product images (5 of 6)ISO 4001-30 sec at f - 1.4

The lens overall though is really characterized by iii things: a massive focusing ring, a massive zoom ring, and a textured plastic exterior.  This focusing ring can also exist pulled back to enable manual focusing–which also reduces the need for a dedicated switch.

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review product images (3 of 6)ISO 4001-50 sec at f - 1.4

As the lens zooms into a subject area, information technology becomes longer–which is how information technology's supposed to work. Other 24-70mm lenses don't necessarily practise that.

Build Quality

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review product images (2 of 6)ISO 4001-60 sec at f - 1.4

In the manus, this lens feels very solid. Granted, information technology isn't like Tamron, Zeiss or Sigma solid, but instead its own unique type that Tokina should exist commended for. At the same fourth dimension though, it doesn't feel modern, but instead similar something I'd concord which was fabricated in the belatedly 1990s or early 2000s. That doesn't backbite from the feel though, I tended to simply use information technology as a lens and focus more on creating better images with it.

What's actually squeamish about this lens though is the push/pull manual focus band that Tokina has always been known for. It makes the experience so much easier merely it likewise means you demand to be more careful about how you handle the lens lest you accidentally pull the ring dorsum.

Ease of Employ

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review product images (1 of 6)ISO 4001-55 sec at f - 1.4

Using this lens is very straightforward. If autofocus is enabled, then information technology will be as simple as focusing, shooting and being in awe of your photos. But if it's disabled, yous're probably best off using the LCD screen unless you lot've got absolutely perfect vision. Unfortunately for me, I don't.

Again, simply be cautious of the manual focusing pump ring.

Autofocus

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (4 of 12)ISO 1001-2000 sec at f - 4.0

Okay, here's where things get a bit more interesting…

First off, this is the loudest autofocus motor I've heard in years. If you think that the Fujifilm 35mm f1.four is loud, then you lot haven't heard this. Is it unbearable? No. Volition information technology distract someone when you're at a wedding and trying to photo the ceremony? Maybe; that's situational. You lot come across, if the lens focuses directly onto the subject area, and so the sound is quick and over with. If the lens needs to browse a scene back and along to learn focusing, that's when it starts to sound similar a small mechanical pulley system with a motor that'southward working way too difficult.

Focusing in nigh situations though is accurate and I barely always had any sort of misfocusing issues. In fact, the accurateness rating is just as loftier as Sigma's. In contrast, information technology's a tad slower to focus than anything Sigma has in its new Global Vision lineup.

If y'all're not shooting weddings, then the AF motor really shouldn't be a problem. But yous'll surely hear it the first time y'all focus the lens and be shocked by it.

Image Quality

EXIF DATA FOR THESE IMAGES HAVE BEEN LEFT IN TACT

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review samples portraits of Julie (2 of 3)ISO 4001-100 sec at f - 2.8

Here is where this lens accented and completely excels over whatever other 24-70mm f2.8 lens for DSLRs that I've seen thus far. When I photographed my friend's cat in the image above, I wasn't expecting the lens to be ridiculously stupid sharp; but indeed the lens renders results that are ridiculously stupid sharp. Granted, I photographed the cat with a flash in a giant umbrella so specular highlights were rendered and such–but that'southward how you're supposed to become the maximum sharpness from any lens anyway.

And then before I get dorsum into sharpness all over again, you should know that optically speaking, this may be the absolute all-time 24-70mm f2.eight lens that I've ever tested.

Sharpness

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (9 of 12)ISO 1001-125 sec at f - 4.0

Human, oh human being.

Fifty-fifty when you utilise this lens without a wink you'll notwithstanding be able to render some admittedly crazy sharpness that I've simply e'er seen from Sigma, Zeiss, and Sony if we're talking about eyes designed for full frame 35mm sensors. It'southward astonishing and incredibly deceiving.

Why deceiving? Well, the Catechism 6D doesn't render images to be the sharpest on the LCD screen. Bring it into a computer though and y'all'll be rubbing your eyes in atheism.

No, really–other manufacturers should make full frame zoom lenses like this.

Bokeh

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (3 of 12)ISO 1001-250 sec at f - 2.8

Generally, you lot won't get a ton of bokeh from this lens at the wider end because of what it is: a wide angle lens at f2.8. Withal, what you go walks the line between hazy and creamy. Overall, it's very nice and very beautiful to expect at.

Chris Gampat The Phoblographer Instant film cameras 2015 (6 of 8)ISO 4001-125 sec at f - 4.0

At the longer end though, you'll go significantly better bokeh that you'll be very proud of. If yous desire ameliorate bokeh, you'll genuinely just demand to pick up a prime lens in one of these focal lengths. Function of this has to do with the nine discontinuity bract design.

Color Rendition

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (6 of 12)ISO 1001-640 sec at f - 4.0

Colors from this lens tend to exist rendered a scrap warm; and if you're dealing with skin tones that usually fine. Other colors overall are very vibrant. Nosotros're talking Sigma levels of saturation here just without as much dissimilarity.

Color Fringing

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (10 of 12)ISO 1001-1250 sec at f - 2.8

During the testing period, no existent fringing was created that would ruin my day. Is information technology there? Yes. Can it be removed in Lightroom hands? Heck yes.

Moving on…

Extra Epitome Samples

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review samples portraits of Julie (1 of 3)ISO 64001-100 sec at f - 2.8

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (2 of 12)ISO 1001-40 sec at f - 5.0

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review samples portraits of Julie (3 of 3)ISO 4001-50 sec at f - 2.8

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (1 of 12)ISO 1001-640 sec at f - 8.0

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (5 of 12)ISO 1001-100 sec at f - 4.0

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (7 of 12)ISO 1001-200 sec at f - 11

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (11 of 12)ISO 1001-250 sec at f - 2.8

Chris Gampat The Phoblographer Tokina 24-70mm f2.8 review images (12 of 12)ISO 4001-50 sec at f - 2.8

Chris Gampat The Phoblographer Sony 28-70mm f3.5-5.6 product images (5 of 6)ISO 1001-180 sec at f - 4.0

Chris Gampat The Phoblographer Sony 70-200mm f4 OSS review product images (1 of 10)ISO 4001-125 sec at f - 2.8

Chris Gampat The Phoblographer Samyang 50mm f1.2 product images (5 of 7)ISO 4001-125 sec at f - 2.8

Conclusions

Likes

  • Amazing image quality
  • Pretty affordable price

Dislikes

  • Body could utilise a modern update
  • I got used to the focus motors, but they should never have been so loud to begin with.

The Tokina 24-70mm f2.8 is a actually fantastic lens if yous're a professional that doesn't need weather sealing or even if you're a loftier end hobbyist/semi-pro. There is lots of love about it. The image quality it can deliver is something that other manufacturers should be looking at closely equally I normally tend to exist much more disquisitional of zoom lenses since so much tin can possibly go wrong with their design.

Merely this ane: this one is marvelous.

If you can get over the loud focusing motors and the antiquated body design, you'll have yourself a lens that yous'll truly love.

Phoblographer-Star-rating

The Tokina 24-70mm f2.8 receives five out of five stars . Information technology doesn't get the site's Editor'due south Choice award considering the exterior pattern needs to exist modernized. Desire i? Check out the Amazon listing for electric current pricing and availability.

Recommended Cameras

Chris Gampat The Phoblographer Canon 5Ds review image product lead photo (1 of 1)ISO 4001-50 sec at f - 3.2

Catechism 5DS: This camera will take the absolute best advantage of this lens's sharpness. Information technology'southward similar they were made for 1 another.

mcmillanequaringer.blogspot.com

Source: https://www.thephoblographer.com/2015/11/17/review-tokina-24-70mm-f2-8-canon-ef/

0 Response to "Tokina at-x 24-70mm F/28 Pro Fx Lens for Canon Ef Review"

Post a Comment

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel